April 16, 2024

The 50 best albums of 2021 | Music – The Guardian

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This list is drawn from votes by Guardian music critics – each critic votes for their Top 20 albums, with points allocated for each placing. Check in every weekday to see our next picks, and please share your own favourite albums of 2021 in the comments below.

50

Agnes – Magic Still Exists

The Swedish pop star’s long-delayed fifth album embodies the platonic ideal of pop disco, steeped in Gaga (invigoratingly stern …….

This list is drawn from votes by Guardian music critics – each critic votes for their Top 20 albums, with points allocated for each placing. Check in every weekday to see our next picks, and please share your own favourite albums of 2021 in the comments below.

50

Agnes – Magic Still Exists

The Swedish pop star’s long-delayed fifth album embodies the platonic ideal of pop disco, steeped in Gaga (invigoratingly stern vocals about freeing one’s mind and body), Abba (piano stomps and trills), Donna Summer (the thumping 24 Hours) and Queen (melodramatic balladry). It transcends pastiche on the strength of her songwriting (you could swap almost anything here on to Dua Lipa’s Future Nostalgia) and the going-for-broke intensity of it all. LS

49

MØL – Diorama

Faith no more … cult survivor-singer Kim Song Sternkopf (centre) with band MØL. Photograph: Sebastian Apel

Blending the blast beats and acid-gargling glottal mayhem of black metal with the uplifting, even sentimental guitar dynamics of shoegaze, “blackgaze” has become a vibrant corner of heavy music – and Danish quintet MØL became one of its best exponents with their second album. The moody breakdowns allow the explosive choruses to land all the more righteously, with vocalist Kim Song Sternkopf – a survivor of faith cults as a child – venting majestically into the mic. Tracks such as Serf bring in a groove metal sensibility to help it all swing. BBT

48

Some of the year’s best musical storytelling lived in the Virginia songwriter’s third record, her writing newly amplified by subtle hints of pop propulsion and grit that evoked how Elliott Smith expanded his sound. Dacus reflects on her teenage years – of church and bible camp, of budding queer desire amid a culture of shame and damnation, of the fantasies that let her escape these limitations – with such tender curiosity that these vignettes feel less like fixed memories than forensic crime scene reconstructions. Read the full review. LS

47

Chai – WINK

The truly self-assured rarely make a noise about it, and so it is with the third album by Japanese girl group Chai. To blissed-out, dreamy synth-pop that buoys you along like a lazy river – occasionally spiked by classic rap throwbacks and arcade-game electro – the four-piece dreamily hymn the joys of food, self-acceptance and protest, nurturing their own laid-back take on pleasure activism. LS

46

Stephen Fretwell – Busy Guy

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Source: https://www.theguardian.com/music/2021/nov/30/the-50-best-albums-of-2021

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